Spider Woman’s Children: Navajo Weavers Today







Over twenty profiles representing weavers from ages sixteen to eighty-eight illustrate the beautiful and complex world of contemporary Navajo life, art, and family. The authors are fifth-generation Navajo weavers who tell each weaver’s story with an authentic voice, in-depth perspective, and a treasured kinship. They deftly explore a world shaped by history and rich cultural traditions and offer an intimate view into the life of today’s Navajo weavers that will inspire and surprise





Lynda Teller Pete and Barbara Teller Ornelas are fifth-generation Navajo weavers who have been weaving since they were young girls. Internationally acclaimed for their fine tapestry weaving, their lives and their work have been featured in many publications and have been the subject of the Craft in America television program. Together, they teach Navajo weaving workshops at museums, galleries, and guilds, throughout the world, valuing the opportunity to serve as ambassadors for their Navajo culture and traditions.



Navajo Textiles
The Crane Collection at the Denver Museum of Nature & SciencE







Laurie D. Webster, Louise I. Stiver, D. Y. Begay, and Lynda Teller Pete





Navajo Textiles provides a nuanced account of the Navajo weavings in the Crane Collection at the Denver Museum of Nature & Science—one of the largest collections of Navajo textiles in the world. Bringing together the work of anthropologists and indigenous artists, the book explores the Navajo rug trade in the mid-nineteenth century and changes in the Navajo textile market while highlighting the museum’s important, though still relatively unknown, collection of Navajo textiles. In this unique collaboration among anthropologists, museums, and Navajo weavers, the authors provide a narrative of the acquisition of the Crane Collection and a history of Navajo weaving.

Personal reflections and insights from foremost Navajo weavers D. Y. Begay and Lynda Teller Pete are also featured, and more than one hundred stunning full-color photographs of the textiles in the collection are accompanied by technical information about the materials and techniques used in their creation.

An introduction by Ann Lane Hedlund documents the growing collaboration between Navajo weavers and museums in Navajo textile research.

The legacy of Navajo weaving is complex and intertwined with the history of the Diné themselves. Navajo Textiles makes the history and practice of Navajo weaving accessible to an audience of scholars and laypeople both within and outside the Diné community.